CELEBRATING SAM MANGWANA'S IMPACT ON MUSIC

When the 'Shakespeare of African music,' Simaro Lutumba, was asked which vocalist he felt delivered his poems best, he unequivocally stated that it was Mangwana. Indeed, Mangwana brought to life songs like "Ebale Ya Zaire", "Mabele", and "Faute Ya Commercant" in a way that captivated listeners. While Simaro had composed several songs prior, it was these two 1973 tracks that helped him gain recognition as an astute poet, with lyrics that were rich with philosophical interpretations.

The fact that Simaro regarded Mangwana as the greatest, despite working with other vocalists like Josky Kiambukuta, Vicky Longomba, Youlou Mabiala, Djo Mpoyi, Malage De Lugendo, Carlito Lassa, and others, sheds light on Mangwana's immense talent.
In Ebale Ya Zaire, Mangwana achieved the remarkable feat of aligning the song's emotions with the story. The listener can feel the frustration of a man sitting by the Congo River, watching his lover sail away and disappear into the fog. "Mangwana was a phenomenal singer," says Prof. Larry Gumbe, a Nairobi-based engineer and music fan opine.  He notes that the songs Mangwana participated in became instant hits.

Although Tabuley discovered Mangwana at African Fiesta when he was only a 17-year-old student, and he subsequently played with several bands in both Kinshasa and Brazzaville, his presence in those early years was somewhat understated. His musical influence became more pronounced in the mid-1960s when he featured with Vox Africa, led by Jeannot Bombenga, and African Fiesta National following the 1965 split with Dr. Nico.

His 1966 composition, "Djibebeke," exemplifies Mangwana's linguistic versatility, as he sang in multiple languages, showcasing his ability to connect with diverse audiences. He also participated in several recordings with Tabuley during this time, including hits like Pangoula and Djeke.
This period (1964-1967) arguably marked the peak of his career. The songs he created with the band during this era exemplify his flawless tenor, and his collaborations with fellow vocal giant Ley further solidified his reputation as a top-tier singer, making him a sought-after talent.

In 1967, Mangwana left with fellow musicians, including soloist Jean Paul Vangu aka Guvano, and rhythm guitarist Johny Bokasa, to form the popular band Festival Des Maquisards. They worked with Michelino (Mavatiku Visi), Dizzy, and others, producing iconic tracks like "Zela Ngai Nasala," cementing Mangwana's position as a leading figure in Congolese rumba. 

Although the band was short-lived, Mangwana continued his journey, collaborating with Guvano in a group called Mangwana et Guvano. Their well-received album featured a high-paced charanga adaptation. Mangwana's musical journey continued as he traveled with various bands in the spirit of his nickname, Le Pigeon Voyageur. In 1973, he joined OK Jazz (OKJ), a band that had already established itself as a leading force in African music. The band's lineup included members from across the region, such as Youlou Mabiala and Celi Bitshou from Brazzaville, and Manuel D'Oliveira from Angola.

 Mangwana's inclusion made OK Jazz even more international in its membership, unlike Tabuley's Afrisa International, whose internationalism was primarily reflected in its name and performances at the Olympia.  At OK Jazz, Mangwana's impact was immediate. He became the band's most celebrated vocalist, with songs like "Asitou" and "Alimatou" becoming huge hits thanks to his golden voice. His renditions of tracks like "Nganda Ma Camlagne" and "Toboyana Kaka" further showcased his remarkable vocal range and ability.

Although Mangwana left OK Jazz in 1976, he briefly rejoined Afrisa, recording hits like "Mose Konzo" and "Minha Angola." Despite not being a full-time member, he contributed to numerous recordings and performed at many concerts. During the Festac festivals in Lagos, Nigeria, some members of Afrisa International, including Ringo Kandiaga, Lokassa Ya Mbatha, and others, chose to stay behind and form a new group—African All Stars. Mangwana joined this band, which became one of the most enigmatic and storied ensembles in the genre. They released numerous tracks, including "Bana Ba Cameroon," "Suzana Coulibaly," and "Fatimata."

Being Franco's close friend, he collaborated with him on several projects, including the popular album Forever, which is considered Franco's official farewell to his fans. Mangwana is also remembered for being by Franco's side in his final days, a testament to their close friendship.

In his later years, Mangwana retired from active music and settled in Angola, though he occasionally returned for special appearances and recordings. As he ages, the details of his personal life, including his marital status, remain somewhat unclear, as friends and interviews often remain silent on the matter.
For over six decades, Mangwana has moved between various bands, leaving an indelible mark on African music. Born in Kinshasa to an Angolan father and a Zimbabwean mother, Mangwana's musical journey spans West, East, and Central Africa, making his contributions to the continent's music truly iconic.

By Jerome Ogola

Jabulani Radio

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