Eboa Lotin

Eboa Lotin (1942–1997) was a highly influential Cameroonian singer-songwriter and guitarist, celebrated as a foundational figure in the Makossa music genre. Born Emmanuel Eboa Lotin in Douala, Cameroon, he had a difficult childhood, losing both parents by age three and suffering a paralyzed left leg due to a quinine injection. Despite a limited formal education, Lotin was a gifted self-taught musician who started singing at the age of eight. He composed his first song, "Mulema Mam" (My Heart), in 1962 and rose to international fame after winning a song contest presided over by Duke Ellington in 1967 and recording successful tracks like the pan-African hit "Besombe." His music style is characterized as acoustic Makossa or Ambasse Bey, featuring emotional, thought-provoking lyrics—often delivered in his native Duala language—that addressed social issues and everyday life. Known for his acoustic innovations, Lotin is considered a precursor to modern Cameroonian acoustic troubadours and remains a revered cultural ambassador whose legacy continues to influence African music. He died in Douala in 1997, leaving behind a body of work consisting of about 70 songs.

Eboa Lotin (1942–1997) was a highly influential Cameroonian singer-songwriter and guitarist, celebrated as a foundational figure in the Makossa music genre. Born Emmanuel Eboa Lotin in Douala, Cameroon, he had a difficult childhood, losing both parents by age three and suffering a paralyzed left leg due to a quinine injection. Despite a limited formal education, Lotin was a gifted self-taught musician who started singing at the age of eight. He composed his first song, "Mulema Mam" (My Heart), in 1962 and rose to international fame after winning a song contest presided over by Duke Ellington in 1967 and recording successful tracks like the pan-African hit "Besombe." His music style is characterized as acoustic Makossa or Ambasse Bey, featuring emotional, thought-provoking lyrics—often delivered in his native Duala language—that addressed social issues and everyday life. Known for his acoustic innovations, Lotin is considered a precursor to modern Cameroonian acoustic troubadours and remains a revered cultural ambassador whose legacy continues to influence African music. He died in Douala in 1997, leaving behind a body of work consisting of about 70 songs.

Top Tracks

Bésombé (Les Jeunes) 1

Bésombé (Les Jeunes)

Ja' Alé (Allons-nous en) 2

Ja' Alé (Allons-nous en)

Ngon' A Mulato (La Jeune Fille Mulatresse) 3

Ngon' A Mulato (La Jeune Fille Mulatresse)

Matumba Matumba (Munyengé mwa ngando) 4

Matumba Matumba (Munyengé mwa ngando)

Tata Coco (Amours Lucifériennes) 5

Tata Coco (Amours Lucifériennes)

Elimb'a Dikalo 6

Elimb'a Dikalo

Ekon (La Jalousie) 7

Ekon (La Jalousie)

Mot' A Ndoki (Le Sourd) 8

Mot' A Ndoki (Le Sourd)

Tatanu (Maintenant) 9

Tatanu (Maintenant)

Sodome et Gomorhe 10

Sodome et Gomorhe

Top Albums

The Best Of, Vol. 1
The Best Of, Vol. 1
tracks
The Best Of, Vol. 2
The Best Of, Vol. 2
tracks
Best Of Eboa Lotin Vol.2
Best Of Eboa Lotin Vol.2
tracks

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